Travel
gave fresh impetus to the writer the ‘illusory option’ of flight from their
wearied present. As such, the traveler doubled up as a writer and an adventurer
seeking the exotic or the wild, as an exemplar of the exotic, a connoisseur of fascinating
landscapes, and an observer of strange habits, rituals and customs.
Hence,
it goes without saying that, a successful travelogue carries with it, a great sense
of curiosity and a sharp sense of humour – which were both part of the travel
writer’s narrative strategies.
However,
there is also the charge levelled against travel writers, particularly from the West,
that they were much biased in their portrayals, depictions, and representations
of the ‘Other’ or the East.
In
this regard, studies in Postcolonial Travel Writing takes cudgels against such
representations, and seeks to vehemently challenge such distorted prevailing
representations of travel writing that emanates from the West as biased,
lacking in truth value, and Eurocentric in its tastes.
Again, Debbie Lisle, in her recently
published book titled, The Global
Politics of Contemporary Travel Writing problematises or rather politicizes
the authenticity of the bestselling travel books, such as those by Paul Theroux,
Bill Bryson, Bruce Chatwin and Michael Palin, by telling her reader that, there’s
more to it than meets the eye! To Debbie, there IS a lot of identity-politics,
geopolitics and cultural politics at play in contemporary travel writing!
Therefore, despite the powers of globalization and multiculturalism on the one
side, common stereotypes about ‘foreignness’ continue to shape the experience
of modern travel.
In addition, Mary Louise Pratt deems such
coordinates of these travel texts of Euroimperialism as, “Redundant,
Discontinous, and Unreal!”
Well, this is meat for another whole
series altogether.
To sum it up, the reader should bear in
mind that, Travel Writing per se, is not an objective rendering of explorations
or journeys that happen across countries, climes, peoples and places!
undertaken. They are bound to contain preconceptions that affect representation
to a great extent. Moreover, travelogues are heavily impacted and influenced by
the narrator’s gender, race, caste, age, cultural standing and educational
levels too. Hence, all travel writing is to a considerable degree ideological.
Now for a continuation on the slew of travelogues –
The Crossing
(1994), is a novel by Cormac McCarthy. In this novel, young Billy Parham
captures a wolf on his farm in New Mexico. He decides to return the wolf to
Mexico, where he thinks it has come from, and in crossing over into Mexico, his
life changes forever.
The plot of the novel takes place before
and during the Second World War and focuses on the life of the protagonist
Billy Parham, a teenage cowboy; his family; and his younger brother Boyd. The
story tells of three journeys taken from New Mexico to Mexico. Although the
novel is neither satirical nor humorous, its realistic portrayal of an often
destitute hero taking part in a series of loosely connected quests in a brutal,
corrupt world lends this book many of the qualities of a picaro.
The Pilgrimage
is a 1987 novel by Brazilian novelist Paulo Coelho. It is a recollection of
Paulo's experiences as he made his way across northern Spain on a pilgrimage to
Santiago de Compostela. The novel serves as part adventure story, part guide to
self-discovery.
The story begins in 1986, when the author
fails his initiation into the order Regnus Agnus Mundi (RAM). He is informed
that in order to get accepted into RAM, he must embark upon a spiritual journey
along the Way of St. James in search of a sword, which symbolically will mark
his acceptance into the order. The author sets off on this quest alongside
another RAM member who is known as Petrus. He learns that the objective of this
quest is to learn the simplicity of life and the nature of truth. Petrus guides
him the entire way, showing him meditation techniques and delving into
philosophy and Western mystical thought. The meditation exercises he teaches
him include the RAM Breathing Exercise, Blue Sphere Exercise, Cruelty Exercise
and many more. On this legendary road across Spain, the author learns that
sometimes the most extraordinary, can be found in the simplest of things. The
Pilgrimage has been translated to thirty eight languages all over the world.
The Lord of the Rings
(1954–1955), is a collection of three novels by J. R. R. Tolkien. This trilogy
of fantasy novels describes protagonist Frodo’s perilous trip across
Middle-earth to Mordor and back to his home, the Shire.
The Lord of the Rings
trilogy is a genuine masterpiece. The most widely read and influential fantasy
epic of all time, it is also quite simply one of the most memorable and beloved
tales ever told. Originally published in 1954, The Lord of the Rings set the
framework upon which all epic/quest fantasy since has been built. Through the
urgings of the enigmatic wizard Gandalf, young hobbit Frodo Baggins embarks on
an urgent, incredibly treacherous journey to destroy the One Ring.
On the Road (1957), is a novel by
Jack Kerouac. This defining work of the postwar Beat generation is a largely
autobiographical work written as a stream-of-consciousness creation. The story
is based on the spontaneous road trips taken by the author and his friends across
mid-century America.
The story is set in the late 1940s, told
in the first person by Sal Paradise, a budding writer given to ecstasies about
America, hot jazz, the meaning of life, and marijuana. The book’s protagonist
is Dean Moriarty (“a sideburned hero of the snowy West”), who has spent a third
of his waking time in poolrooms, a third in jail, a third in public libraries,
and is always shouting “Yes, yes, yes!” to every experience. Dean and Sal and
their other buddies—Carlo Marx, the frenzied poet; Ed Dunkel, an amiable
cipher; Remi Boncoeur, who has the second loudest laugh in San Francisco—are
forever racing cross-country to meet one another. Their frantic reunions are
curiously reminiscent of lodge and business conventions, with the same shouts
of fellowship, hard drinking, furtive attempts at sexual dalliance—and, after a
few days, the same boredom.
Travels with Charley
(1961), is a memoir by John Steinbeck. This memoir recounts Steinbeck’s drive
through America with Charley, his poodle.
The novel depicts a 1960 road trip around
the United States made by Steinbeck, in the company of his standard poodle,
Charley. Steinbeck wrote that he was moved by a desire to see his country on a
personal level, since he made his living writing about it. He wrote of having
many questions going into his journey, the main one being, "What are
Americans like today?" Steinbeck tells of traveling throughout the United
States in a specially made camper he named Rocinante, after Don Quixote's
horse.
Peer Gynt:
Ibsen began to petition the government for a grant to travel and write. Ibsen’s
Peer
Gynt, written while Ibsen was traveling in Italy and published in
Denmark in 1867.
Isherwood and Auden traveled to China in
1938 and 1939 and published the part travel diary, part war chronicle Journey
to a War, which describes the Sino-Japanese War.
Rosencrantz and Guildenstern Are Dead
(1966), is a play by Tom Stoppard. This play follows the travels of Rosencrantz
and Guildenstern, two minor characters from William Shakespeare’s Hamlet.
Having traveled to Scotland and the
Hebrides with Boswell in 1773, Johnson published his impressions two years
later in A Journey to the Western Islands of Scotland (1775), which
describes the customs, religion, education, commerce, and agriculture of
eighteenth-century Highland society.
Source(s)
Routledge/Britannica/Gale/GoodReads/Amazon Books
Image(s) goodreads.com
No comments:
Post a Comment