Sunday, 25 March 2012
II CIA - Reg
As announced earlier, you will be tested based on all the prescribed poems/essays with special focus on the novel Animal Farm. The Internal Test will be held at the same venue in which you wrote your I CIAs.
II BA English Literature students are expected to submit your assignments (as part of your I CIA) on or before Friday, 30 March 2012, failing which you will be forfeiting your marks for the same. All your assignments on Oratory should be in the form of MS Word, 1.5 spacing, Times New Roman, and sent to me as an email attachment at rufusonline@gmail.com. For an overview of the topics, kindly click on this link here
With all best wishes,
Rufus
Course teacher
Tuesday, 1 November 2011
Tackling the Question Paper [Semester I]
Monday, 31 October 2011
Blueprint for Semester I - Part II English
"A Doll's House" - Henrik Ibsen - Critical Analysis
Sunday, 30 October 2011
"The Case for Short Words" - Richard Lederer - Lesson Summary
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| The Case for Short Words |
Wednesday, 19 October 2011
"My Visions for India" - Dr.A.P.J.Abdul Kalam - Lesson Summary
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| The People's President |
Wednesday, 12 October 2011
“A Definition of a Gentleman” – Cardinal Newman - Critical Summary
One who never inflicts Pain:
Tuesday, 11 October 2011
"The Art of Living" – Samuel Smiles
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| by Samuel Smiles |
Thursday, 16 September 2010
I BSc Pbt/Zoo I CIA Marks - Reg.:
A Note on Valuation Methodology Used:
I look for clarity of expression, presentation and development of your argument in a logical manner, and also for proper sentence structure.
Over-writing has been penalised, yet minimally.
Observation of Word limit criterion has also been looked into.
Grammatical accuracy has been given weightage.
Relevant illustrations, [examples] have been awarded generously.
[Accurate] Quotes and [precise] dates have been appreciated.
Coherence, which makes your sentences hold together, and clarity of thought [clear language] have been fairly rewarded.
Neatness gives you an additional bonus of one mark.
Remember, symbols like '&' should be avoided at all costs in the examinations, as they can never substitute for the word they seem to represent.!
Last but not the least, numbering all your pages makes my work less complicated!
Well, A bird is known by his note, the man by his words and a student, by his performance.
And that's what i expect from you... dear students...!
Regards and all best wishes,
Rufus
Friday, 13 August 2010
The Case for Short Words
A VERY INDIAN POEM IN INDIAN ENGLISH - Critical Summary
Tuesday, 10 August 2010
I CIA Test - Portions for I BSc Pbt/Zoo Students..:
You will be tested on the following three texts, for your I CIA which is to be held on 16 Aug at 11.30 am.
1) Ezekiel's "A Very Indian Poem in Indian English"
2) Kipling's "If"
3) Lederer's "The Case for Short Words".
Clarifications, can be made, (not when the exams are around, but much ahead) directly, between 1.30 and 2 pm on all working days, at the Dept of English, or through email at rufusonline@gmail.com
Regards and all best wishes,
Rufus
Tuesday, 13 October 2009
Tolerance
Introduction: In his essay “Tolerance” E.M.Forster talks about the need for a sound state of mind, and a right psychology to reconstruct Europe. Architects, contractors, broadcasting corporations etc must be inspired by the proper spirit in the people for whom they are working. People today are indifferent to civic beauty, and they have no taste at all. According to Forster, until we are concerned and worried about our society, reconstruction of Europe would not become a possibility at all.
Love for Private Life – Tolerance for Public Life:
Most people, when asked what spiritual quality is needed to rebuild civilization, will reply ‘Love.’ But according to Forster, love is a great force in private life; it is indeed the greatest of all things: but love in public affairs does not work. The idea that nations should love one another, or that a man in Portugal should love a man in Peru of whom he has never heard – it is absurd, unreal, dangerous etc. In the rebuilding of civilization, something much less dramatic and emotional is needed, namely tolerance. Tolerance is indeed a negative virtue, but this is the sound state of mind which will enable different races and classes and interests to settle down together to the work of reconstruction.
Tolerance is Common Sense:
According to Forster, if you don’t like people, put up with them as well as you can. Don’t try to love them: you can’t, you’ll only strain yourself. But try to tolerate them. On the basis of that tolerance a civilized future may be built. There is no other foundation besides tolerance, for the post-war world.
Moreover, tolerance is very essential for the establishment of peace. It is also common sense, because in the post-war world we shall have to live with all kinds of people – from different races, languages, ethnicities etc.
Conclusion:
To conclude, Forster feels that tolerance is not a great eternally established divine principle, but just a makeshift, suitable and apt for an overcrowded and overheated planet. It carries on when love gives out, and love generally gives out as soon as we move away from our home and our friends. Tolerance is needed in the shop, among strangers, in the queue, in the telephone booth, in the street, in the office, at the factory and above all between classes, races, and nations. It is a dull virtue but still requires imagination, as it helps in empathizing with others, which is a very desirable spiritual exercise too.
Wednesday, 12 August 2009
Mending Wall – Robert Frost - Poem Summary
Spring time Repairs: Attitude of the poet and the New England Farmer:
The speaker in the poem, the poet himself, and his neighbour get together every spring to repair the stone wall between their respective properties. The neighbour, an old England farmer, seems to have a deep-seated faith in the value of walls and fences. He declines to explain his belief and only reiterates his father’s saying, “Good fences make good neighbours.”
Enigmatic Attitude of the Speaker:
Yet, the speaker’s attitude is also enigmatic and in some respects primitive. He seems to be in sympathy with some elemental forces of nature which denies all boundaries. It is suggested that there is some supernatural power at work in Nature, that is against all fences and walls:
Something there is that doesn’t love a wall,
That sends the frozen ground swell under it,
And spills the upper boulders in the sun;
Points of View portrayed in the Poem:
The poem portrays a clash between two points of view, and it may, therefore seem that its meaning is the solution. The poem leads one to ask, which of the two is right, the speaker or his Yankee neighbour? Should man tear down the barriers which isolate individuals from one another, or should he recognize that distinctions and limits are necessary for human life? Frost does not really provide an answer. He pictures it with an incident from rural life, and in order to reveal its complex nature he develops it through the conflict of two opposed points of view.
Paradox in the Poem:
The poem maintains that: Something there is that doesn’t love a wall.
But it also insists that: Good fences make good neighbours.
Conclusion:
Phenomenal Woman - Maya Angelou - Poem Summary
Tuesday, 11 August 2009
On the Move - Thom Gunn - Poem Summary
This poem, from Gunn's second collection, is his most famous piece, and among the best-known of all post-war poems. In it, the aimless, but threatening movement of a motorcycle gang becomes a metaphor for modern man's sense of alienation and lack of purpose. In On the Move, Gunn uses a series of connected metaphors, all deriving from the key image of movement.
A Sociological "footnote of the fifties":
The poem is a sociological footnote of the fifties. The young black-jacketed motor cyclists of the west become fitting symbols of restless energy and violent movement. The subtitle of the poem, "Man, you gotta go" denotes the unwillingness and inability to stand still. It is the epigraph to the poem.
In the first stanza, Gunn briefly introduces the general premise of the poem, that is, always to be on the move. The bird of the crow family, the blue jay, with its gay plumage, with its confused movements, is also always on the move, following some hidden purpose.
The aimlessness of the motor-cycle gang:
The depiction of "the boys" in the second stanza seems sympathetic (they are seen very much as they wish to be seen, bikes, goggles, leather jackets) yet Gunn also views them critically. Gunn uses the analogy (parallel) of the actions of the motorcyclists to show how modern man in general (in the poem, referred to as "one") lacks a clear sense of purpose and thus follows others, even if their activity too, is ultimately purposeless. They are unable and unwilling to keep still. They have replaced language with noise, and pursue their hidden purpose forward.
The statement that men "manufacture both machine and soul" is developed in the reference, later, to the "self-defined" and the "created will". It examines the idea that modern man invents or chooses, as a deliberate act of will, definitions of lifestyle and personality, to supply what nature has omitted.
Monday, 10 August 2009
The Importance of Being Earnest - Lesson Summary
The Importance of Being Earnest is a comic play by Oscar Wilde, set in England during the late Victorian era. The play's humour derives in part from characters maintaining fictitious identities to escape unwelcome social obligations. It is replete with witty dialogue and satirizes some of the foibles and hypocrisy of late Victorian society. It has proved to be Wilde's most enduringly popular play.
The major themes of this play are three: they are:
1). The triviality of the upper class. 2). The triviality of marriage and 3). The importance of wealth and leisure.
Jack visits London to meet Gwendolen:
Jack drops in unexpectedly on Algernon and announces that he intends to propose to Gwendolen. Algernon confronts him with the cigarette case and forces him to come clean, demanding to know who “Jack” and “Cecily” are. Jack confesses that his name isn’t really Ernest and that Cecily is his ward, a responsibility imposed on him by his adoptive father’s will. Jack also tells Algernon about his fictional brother.
Arrival of Lady Bracknell and Gwendolen:
Gwendolen and her mother, Lady Bracknell, arrive, which gives Jack an opportunity to propose to Gwendolen. Jack is delighted to discover that Gwendolen returns his affections, but he is alarmed to learn that Gwendolen is fixated on the name Ernest, which she says “inspires absolute confidence.” Gwendolen makes clear that she would not consider marrying a man who was not named Ernest.
Lady Bracknell Interviews Jack and subsequent Disapproval for their Marriage:
Lady Bracknell interviews Jack to determine his eligibility as a possible son-in-law, and during this interview she asks about his family background. When Jack explains that he has no idea who his parents were and that he was found, by the man who adopted him, in a handbag in the cloakroom at Victoria Station, Lady Bracknell is scandalized. She forbids the match between Jack and Gwendolen and sweeps out of the house.
Algernon visits Jack’s Country Estate to meet Cecily:
In Act II, Algernon shows up at Jack’s country estate posing as Jack’s brother Ernest. Meanwhile, Jack, having decided that Ernest has outlived his usefulness, arrives home in deep mourning, full of a story about Ernest having died suddenly in Paris. He is enraged to find Algernon there masquerading as Ernest but has to go along with the charade.
Algernon proposes to Cecily at Jack’s Country Estate:
While Jack changes out of his mourning clothes, Algernon, who has fallen hopelessly in love with Cecily, asks her to marry him. He is surprised to discover that Cecily already considers that they are engaged, and he is charmed when she reveals that her fascination with “Uncle Jack’s brother” led her to invent an elaborate romance between herself and him several months ago. Algernon is less enchanted to learn that part of Cecily’s interest in him derives from the name Ernest, which, unconsciously echoing Gwendolen, she says “inspires absolute confidence.”
Arrival of Gwendolen at Jack’s Country Estate: War between two girls:
Algernon goes off in search of Dr. Chasuble, the local rector, to see about getting himself christened Ernest. Meanwhile, Gwendolen arrives, having decided to pay Jack an unexpected visit. Cecily has no idea who Gwendolen is. Cecily explains that she is engaged to be married to Ernest Worthing. Gwendolen points out that this is impossible as she herself is engaged to Ernest Worthing. The tea party degenerates into a war of manners.
Jack and Algernon admit the truth:
The two women demand to know where Jack’s brother Ernest is, since both of them are engaged to be married to him. Jack is forced to admit that he has no brother and that Ernest is a complete fiction. Both women are shocked and furious, and they retire to the house arm in arm. However, when Jack and Algernon tell Gwendolen and Cecily that they have both made arrangements to be christened Ernest that afternoon, all is forgiven and the two pairs of lovers embrace. At this moment, Lady Bracknell’s arrival is announced.
Arrival of Lady Bracknell:
Lady Bracknell has followed Gwendolen from London, having bribed Gwendolen’s maid to reveal her destination. She demands to know what is going on. Gwendolen again informs Lady Bracknell of her engagement to Jack, and Lady Bracknell reiterates that a union between them is out of the question.
Jack informs Lady Bracknell that, as Cecily’s legal guardian, he refuses to give his consent to her union with Algernon. However, Lady Bracknell refuses to entertain the notion. She and Gwendolen are on the point of leaving when Dr. Chasuble arrives and happens to mention Cecily’s governess, Miss Prism. At this, Lady Bracknell starts and asks that Miss Prism be sent for.
Miss.Prism’s Confession: The Climax:
When the governess Miss.Prism arrives and catches sight of Lady Bracknell, she begins to look guilty and furtive. Lady Bracknell accuses her of having left her sister’s house twenty-eight years before with a baby and never returned. She demands to know where the baby is. Miss Prism confesses she doesn’t know, explaining that she lost the baby, having absentmindedly placed it in a handbag in which she had meant to place the manuscript for a novel she had written. Jack asks what happened to the bag, and Miss Prism says she left it in the cloakroom of a railway station. Jack presses her for further details and goes racing offstage, returning a few moments later with a large handbag. When Miss Prism confirms that the bag is hers, Jack’s identity is established. He is the legitimate child of Lady Bracknell’s sister and, therefore, Algernon’s older brother. Furthermore, Jack had been originally christened “Ernest John.” All these years Jack has unwittingly been telling the truth: Ernest is his name, as is Jack, and he does have an unprincipled younger brother—Algernon. Again the couples embrace, Miss Prism and Dr. Chasuble follow suit, and Jack acknowledges that he now understands “the vital Importance of Being Earnest.”
Conclusion:
The mood of The Importance of Being Ernest is largely satirical. This is because Wilde is seeking to mock the triviality of the upper class society of London. Wilde’s satire is characterized by wit and is, throughout, lighthearted. Wilde is also writing from an aesthetic perspective, a movement in literature that celebrated art for art’s sake, and did not concern itself with the political issues of the outside world.
Monday, 27 July 2009
THE POSTMASTER - Rabindranath Tagore
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Anne Carson and her Fellow Champions of Linguistic Rebellion 💜
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