Monday, 10 August 2009

The Importance of Being Earnest - Lesson Summary

Introduction:

The Importance of Being Earnest is a comic play by Oscar Wilde, set in England during the late Victorian era. The play's humour derives in part from characters maintaining fictitious identities to escape unwelcome social obligations. It is replete with witty dialogue and satirizes some of the foibles and hypocrisy of late Victorian society. It has proved to be Wilde's most enduringly popular play.

The major themes of this play are three: they are:
1). The triviality of the upper class. 2). The triviality of marriage and 3). The importance of wealth and leisure.

Jack visits London to meet Gwendolen:

Jack drops in unexpectedly on Algernon and announces that he intends to propose to Gwendolen. Algernon confronts him with the cigarette case and forces him to come clean, demanding to know who “Jack” and “Cecily” are. Jack confesses that his name isn’t really Ernest and that Cecily is his ward, a responsibility imposed on him by his adoptive father’s will. Jack also tells Algernon about his fictional brother.

Arrival of Lady Bracknell and Gwendolen:

Gwendolen and her mother, Lady Bracknell, arrive, which gives Jack an opportunity to propose to Gwendolen. Jack is delighted to discover that Gwendolen returns his affections, but he is alarmed to learn that Gwendolen is fixated on the name Ernest, which she says “inspires absolute confidence.” Gwendolen makes clear that she would not consider marrying a man who was not named Ernest.

Lady Bracknell Interviews Jack and subsequent Disapproval for their Marriage:

Lady Bracknell interviews Jack to determine his eligibility as a possible son-in-law, and during this interview she asks about his family background. When Jack explains that he has no idea who his parents were and that he was found, by the man who adopted him, in a handbag in the cloakroom at Victoria Station, Lady Bracknell is scandalized. She forbids the match between Jack and Gwendolen and sweeps out of the house.

Algernon visits Jack’s Country Estate to meet Cecily:

In Act II, Algernon shows up at Jack’s country estate posing as Jack’s brother Ernest. Meanwhile, Jack, having decided that Ernest has outlived his usefulness, arrives home in deep mourning, full of a story about Ernest having died suddenly in Paris. He is enraged to find Algernon there masquerading as Ernest but has to go along with the charade.

Algernon proposes to Cecily at Jack’s Country Estate:

While Jack changes out of his mourning clothes, Algernon, who has fallen hopelessly in love with Cecily, asks her to marry him. He is surprised to discover that Cecily already considers that they are engaged, and he is charmed when she reveals that her fascination with “Uncle Jack’s brother” led her to invent an elaborate romance between herself and him several months ago. Algernon is less enchanted to learn that part of Cecily’s interest in him derives from the name Ernest, which, unconsciously echoing Gwendolen, she says “inspires absolute confidence.”

Arrival of Gwendolen at Jack’s Country Estate: War between two girls:

Algernon goes off in search of Dr. Chasuble, the local rector, to see about getting himself christened Ernest. Meanwhile, Gwendolen arrives, having decided to pay Jack an unexpected visit. Cecily has no idea who Gwendolen is. Cecily explains that she is engaged to be married to Ernest Worthing. Gwendolen points out that this is impossible as she herself is engaged to Ernest Worthing. The tea party degenerates into a war of manners.

Jack and Algernon admit the truth:

The two women demand to know where Jack’s brother Ernest is, since both of them are engaged to be married to him. Jack is forced to admit that he has no brother and that Ernest is a complete fiction. Both women are shocked and furious, and they retire to the house arm in arm. However, when Jack and Algernon tell Gwendolen and Cecily that they have both made arrangements to be christened Ernest that afternoon, all is forgiven and the two pairs of lovers embrace. At this moment, Lady Bracknell’s arrival is announced.

Arrival of Lady Bracknell:

Lady Bracknell has followed Gwendolen from London, having bribed Gwendolen’s maid to reveal her destination. She demands to know what is going on. Gwendolen again informs Lady Bracknell of her engagement to Jack, and Lady Bracknell reiterates that a union between them is out of the question.

Jack informs Lady Bracknell that, as Cecily’s legal guardian, he refuses to give his consent to her union with Algernon. However, Lady Bracknell refuses to entertain the notion. She and Gwendolen are on the point of leaving when Dr. Chasuble arrives and happens to mention Cecily’s governess, Miss Prism. At this, Lady Bracknell starts and asks that Miss Prism be sent for.

Miss.Prism’s Confession: The Climax:

When the governess Miss.Prism arrives and catches sight of Lady Bracknell, she begins to look guilty and furtive. Lady Bracknell accuses her of having left her sister’s house twenty-eight years before with a baby and never returned. She demands to know where the baby is. Miss Prism confesses she doesn’t know, explaining that she lost the baby, having absentmindedly placed it in a handbag in which she had meant to place the manuscript for a novel she had written. Jack asks what happened to the bag, and Miss Prism says she left it in the cloakroom of a railway station. Jack presses her for further details and goes racing offstage, returning a few moments later with a large handbag. When Miss Prism confirms that the bag is hers, Jack’s identity is established. He is the legitimate child of Lady Bracknell’s sister and, therefore, Algernon’s older brother. Furthermore, Jack had been originally christened “Ernest John.” All these years Jack has unwittingly been telling the truth: Ernest is his name, as is Jack, and he does have an unprincipled younger brother—Algernon. Again the couples embrace, Miss Prism and Dr. Chasuble follow suit, and Jack acknowledges that he now understands “the vital Importance of Being Earnest.”

Conclusion:

The mood of The Importance of Being Ernest is largely satirical. This is because Wilde is seeking to mock the triviality of the upper class society of London. Wilde’s satire is characterized by wit and is, throughout, lighthearted. Wilde is also writing from an aesthetic perspective, a movement in literature that celebrated art for art’s sake, and did not concern itself with the political issues of the outside world.
[With due acknowledgements and thanks to 'booknotes/wikipedia/sparknotes'.]

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