Story Grammar | Amitav
Ghosh’s Gun Island
Stories have a
formula, which we would call its story grammar!
Amitav Ghosh’s latest
offering, Gun Island capitalizes much
on this power of the story as a cultural text having its own grammar, and how stories integrate various
lives across ages into a beautiful weave or a texture!
Just a few snippets
from the book for y’all -
Gun Island Uncovered... |
I don’t know what it was but there was something about the story that got into my head: it haunted me and I wanted to know more about it. ‘People of that sort will believe anything, won’t they?’
She glanced at me in
surprise. ‘You really don’t like this story do you? It is perhaps too vulgar
and common for you?’
This was near enough
to the bone to nettle me. ‘I think you’ve misunderstood me,’ I protested. ‘I
grew up with this story. In fact it was the subject of my research thesis –
I’ve even published an article on one of the epic poems on which this
performance is based.’
*****
‘Suppose a guy’s
applying for asylum in Sweden – he’ll need a story to back him up, and it can’t
be just any old story. It’s gotta be a story like they want to hear over there.
Suppose the guy was starving because his land was flooded; or suppose his whole
village was sick from the arsenic in their ground water; or suppose he was
being beat up by his landlord because he couldn’t pay off his debts – none of
that shit matters to the Swedes. Politics, religion and sex is what they’re
looking for – you’ve gotta have a story of persecution if you want them to
listen to you. So that’s what I help my clients with; I give them those kinds
of stories.’
*****
*****
‘Not necessarily,’ said Cinta. ‘There
could be many reasons why whoever built the shrine wouldn’t want the story to
be written down.’
‘Like what?’
Cinta smiled
cryptically. ‘Maybe they believed the story wasn’t over – that it would reach
out into the future?’
‘I don’t get that, Cinta,’ I said. ‘I
don’t see how a legend could reach out into the future. After all, it’s just a
story . . .’
She stopped me with a
rap on the knuckles.
‘You must never use that phrase, Dino,’
she said slowly and deliberately. ‘In the seventeenth century no one would ever
have said of something that it was “just a story” as we moderns do. At that
time people recognized that stories could tap into dimensions that were beyond
the ordinary, beyond the human even. They knew that only through stories was it
possible to enter the most inward mysteries of our existence where nothing that
is really important can be proven to exist – like love, or loyalty, or even the
faculty that makes us turn around when we feel the gaze of a stranger or an animal.
Only through stories
can invisible or inarticulate or silent beings speak to us; it is they who
allow the past to reach out to us.’
‘Aren’t you exaggerating a bit, Cinta?’
‘No, caro, no. You mustn’t underestimate
the power of stories. There is something in them that is elemental and
inexplicable. Haven’t you heard it said that what makes us human, what
separates us from animals, is the faculty of storytelling?’
More on this snapshot live from the book, for y’all –
And yes! the book is available on all famed e-stores on the world wide web! Please get for yourself a hard copy of the book through any of these e-portals and start reading it rightaway!
Cos ‘Tis not too late to seek a newer world, ain't it?
And yes! the book is available on all famed e-stores on the world wide web! Please get for yourself a hard copy of the book through any of these e-portals and start reading it rightaway!
Cos ‘Tis not too late to seek a newer world, ain't it?
So much for the power
of 'storied urns' and animated busts!
To be continued…
images: this blogger's ;-)
images: this blogger's ;-)
No comments:
Post a Comment