Sunday, 12 October 2025

"A mini-vacation to the pressured soul, a super-fast recharge for the battery within, a soulful sip of coffee on a rainy day, and that well-deserved pause in the pressure cooker..." ❤️

Why I’ve Always Loved Reading Comic Fiction & RomComs

Marina Lewycka | Lecturer, Novelist


#onherbirthdaytoday

12th October

Starting on a personal note, I’ve always loved reading comic fiction, and yes, romcoms in particular.

And I should pretty much confess that I’ve nayver been a big fan of the horror genre and these supernatural thrillers at any point of time – books (or even movies for that matter!) that tend to ‘create’ a sense of fear through frightening situations!

To me, reading comic fiction goes beyond its mere entertainment quotient!

It is real therapy – a mini-vacation to the pressured soul, a super-fast recharge for the battery within, a soulful sip of coffee on a rainy day, and that well-deserved pause in the pressure cooker! 😊😊😊

One reason why I’ve always revelled in - and relied on - the power of comedy / humour as a real stress-buster.

Scupin Richard, the eminent critic says that, reading humorous books trigger the release of endorphins and dopamine, the body’s natural “feel-good” chemicals dose, which in turn regulate our mood, motivation, feelings of pleasure, and sense of well-being.

Yes! Our ‘feel-good’ chemicals dose!

And dose would stand for the ‘feel-good chemicals’ -

Dopamine (drives motivation)

Oxytocin (fosters love)

Serotonin (stabilises mood)

Endorphins (relieves pain)

A power-DOSE really! 😊

In fact, comic fiction also features characters who deal with crises, conflicts and challenges in their lives! However it’s their perspective to their crises, conflicts and challenges that tends to differ!

The characters in a comic fiction tend to view them all in a comedic light. This lovely perspective proves to be real therapy, as it helps the reader to see their own crises, conflicts and challenges in their personal lives also, in a similar ‘lighter’ vein!

And that’s hence, I’ve personally felt that, writers of humorous fiction are of a different breed altogether - as it is the most difficult of genres – in all the world! Indeed - humorous writing requires that perfect sense of timing, relies entirely on the comic sense, the funny, the punny and the creation of absurd scenarios – that prove a natural stress buster.

I’ve also observed this - people who read comic fiction and humorous novels, have this tendency to take life in a happier, lighter vein, not laughing at others for their foibles, but like Chaucer – laughing with others, thereby indirectly suggesting a shared human experience that’s non-judgmental – in good-natured amusement rather than bitter condemnation! One reason his works remains so enduringly popular across ages.

In that vein, one of my all-time personal favourites is P. G. Wodehouse.

He was also my mentor Professor Natarajan’s personal favourite.

He is also cricketer Navjot Singh SIdhu’s personal favourite!

He is also eminent writer R. K. Narayan’s favourite!

He is also Sashi Tharoor’s personal favourite.

In fact, Tharoor has been very vocal about his love for Wodehouse! As a student, he was the president of the P. G. Wodehouse Society at St. Stephen’s College, New Delhi, it seems.

Douglas Adams, Orwell, Amis, Tolkien, Rowling, are among a host of other celebrity writers who are part of the Wodehouse fan base across the world.

And one thing that unites them all is the fact that they all are known for handling life and people in a very light-hearted and cheerful manner. In fact, they don’t get irritated or angry with others! They don’t judge others! They don’t speak bad about others!

That’s because they believe in the shared human experience – wherein the flaws of others are so relatable and hence forgivable! 😊 One reason why they are able to practice that graceful and gentle, empathetic humour on their fellow human beings!

There’s power in humour, you see! 😊

On a related vein, me thought of presenting a lady-Wodehouse – akin to the likes of Khanna or Kher (Twinkle Khanna or Jean Kher, discussed on our July 2019 post HERE)

Presenting Marina Lewycka, ladies and gentlemen…

[On an aside, Marina Lewycka is also the Winner of the Bollinger Everyman Wodehouse Prize for comic writing, 2005].

What’s more… the legendary Wodehouse’s birthday is just three days away – on 15th October!

One unique feature of Marina’s writing is her ability to treat even such serious themes as war, grief, conflict or the immigrant experience in a highly comic vein.

Her narrative voice is described as unsettling, eyebrow-raising, with a flair for that much-needed empathetic humour!

She’s known for her genuinely funny stories – in a style that blends humour with social commentary – through the use of linguistic jokes, malapropisms and mispronunciations from her characters!

Let’s take for example –

Marina Lewycka’s The Good, the Bad and the Little Bit Stupid which is a humorous embodiment of “Brexlit fiction” - inspired by the UK’s departure from the EU.

George Pantis is the “little bit stupid,” academic!

His marital breakdown, the central conflict in the plot, literally happens on Referendum night with George (Leave) leaving his wife Rosie (Remain) for “Brexit Brenda”.

There’s also Brenda the hairdresser, and Rosie, a teacher who are the personifications of the ‘Leave’ and ‘Remain’ camps, respectively, who are in a ‘forced’ partnership to ‘rescue’ George.

Well, to sum it up then, Marina’s novels are high renowned for successfully mixing humour and pathos with pressing social and political issues of her time. No wonder then, that her ‘hilarious debut novel’ titled, A Short History of Tractors in Ukrainian is described as a “comic masterpiece” that also deals with the “tragic history” of Ukraine.

May Marina’s tribe increase!

Saturday, 11 October 2025

An International Day Unlike Any Other - Officially Celebrated on Two Different Days Each Year 💚

World Migratory Bird Day

11th October 2025

Unlike many other international day observances, the World Migratory Bird Day is so uniquely placed, because of the fact that, it is officially celebrated on two different days each year.

(c) rufus

The second Saturday in May

The second Saturday in October

Birding has become not only a hugely popular outdoor activity for millions of people but also an activity that brings people face to face with bio diversity and the threats to its survival.

I have not met a birder who is not concerned about protection of bird habitats and about the impacts of changing climates on birds, whether resident or migratory,

says George W. Cox in his insightful book on bird migration titled, Bird Migration and Global Change, published in the year 2010 by Island Press, Washington DC, US.

(c) rufus

Long-distance migrations of land and freshwater birds involve flights across major climatic zones, and often between continents or hemispheres.

These movements are often more regular in timing than those of short distance migrants.

Strong-flying raptors and shorebirds perform some of the longest migrations. Radio tracking has shown, for example, that Bar tailed Godwits fly nonstop for distances of 10,000 kilometres or more between breeding areas in Alaska and wintering areas in New Zealand and Australia.

The Swainson’s Hawks that occasionally fly over my home in New Mexico in spring spend the winter on the Argentinean pampas. Many small songbirds, however, make intercontinental migratory flights of thousands of kilometres,

he observes.

(c) rufus

The book analyses observed changes in bird migration with reference to climate change, and also highlights the innate capacity of migratory birds to adapt to these changes.

Two chapters that I found quite interesting are –

Chapters 17 & 18, that deal with the evolutionary adaptability of Land Birds and Waterbirds.

Finally, the book concludes by offering practical conservation recommendations in an era of global change.

Says Cox –

Protecting migratory birds in an era of changing global climate will require greater understanding of the changes that are likely to occur in breeding and wintering areas, as well as in the networks of stopover areas used in migration.

he signs off.

(c) rufus

In this regard, it is important for us as academics, to raise awareness about the need to conserve migratory birds and their habitats.

Creating bird-friendly habitats, and planting native species, is very important since, native trees and plants provide essential food - like insects, seeds, and nectar - for migratory birds.

Also, providing clean water for migratory birds, by setting up birdbaths or small water basins, for our flyway friends helps a lot.  

(c) rufus

Lastly, it is vital to protect their habitats, such as wetlands and migration flyways.

Here’s wishing us all a Happy World Migratory Bird Day.

Image for Shared Spaces, Courtesy: worldmigratorybirdday.org

Friday, 10 October 2025

"Migration: The Very Essence of Human Civilisation" | A Memorable Viva-Voce by Ms. Pheba Paul @ MCC Today ❤️

A Memorable PhD Viva Voce Today

Department of English | MCC

10th October 2025

Dr. Pheba Paul

Well, this post is unique because it carries the jottings of a professor who is so proud of his student – Ms. Pheba Paul!

I’ve known Ms. Pheba Paul ever since her first UG days in MCC, in the year 2012. She went on to do her Masters in the year 2015. Then she also registered for her PhD with Dr. Ann Thomas, Research Department of English, MCC as a JRF Scholar, the very next year.

So it’s been an eventful 13 years of study in MCC for Pheba.

All her Professors today testified to how she has evolved so gracefully over the years in her academic journey with us in MCC.

One special highlight about Ms. Pheba Paul is that, she has always been the class topper ever since her first UG days. She is a passionate and voracious reader, (a skill that she has so beautifully passed on to her daughter as well) and to my knowledge, she has never missed a single class with her Professors, all those five years.

Added, whenever she’s in a class, she ensures that she takes down copious notes from all the lectures that she listens to. Moreover, she is one of the few students who frequents the library whenever she gets any spare time on her. No wonder then, that she was able to clear her NET with the prestigious JRF!

All the more reason for our happiness today, when we saw her successfully defend her PhD thesis today in front of a wonderful gathering of Professors, Deans, Research Scholars and her family members.

Almost all of us – her professors turned up for her Viva Voce exam today, as she had won our hearts alike with her commitment and passion to her subject, all through her period of study.

Today being the acme or the pinnacle of her academic life in MCC – when she got the honorific Dr. Pheba Paul – an honorific that is going to be part of her academic identity for the rest of her life.

The Topic of her thesis was – ‘Creating’ Trauma and Journeying to Resilience: A Comparative Study of the Select Novels of Benyamin and Dinaw Mengestu.

She had so beautifully structured her thesis as follows –

Creating Hope for the Traumatised Migrant: The Road to Resilience as depicted in Benyamin’s Novels

Creating Hybrid Identities in the Traumatised Migrant: The Duality of Being and Belonging in Dinaw Mengestu’s Novels.

Trauma as the beginning of the Journey: Modes of Resilience in the Select Novels of Benyamin and Dinaw Mengestu.

Highlighting the fact that, migration has been the very essence of human civilization, and stressing on the relevance of studying works based on migrants, by enumerating the issues of migrant population worldwide, she then stressed on the importance of analysing migrant fiction, and having a knowledge of issues faced by migrants worldwide and assist in finding solutions.

The texts chosen for study: Malayalam writer Benyamin’s novels Goat Days, Jasmine Days; Ethiopian-American writer Dinaw Mengestu’s The Beautiful Things that Heaven Bears, How to Read the Air, and All our Names.

She did an amazing comparative study of the novels – on how they deal with the concept of migration – using the framework of cultural trauma theory – concepts by Jeffrey Alexander, Neil Smelser, Ron Eyerman, etc.

Foregrounding next, the importance of Comparative Literature, as heralding a shift from the Eurocentric view to accepting different cultures and language traditions, she quoted from E. V. Ramakrishnan’s ‘emphasis on difference’, and how the ‘literary’ is constituted variously in each tradition.

She also mentioned a quote from Tutun Mukherjee on the concept of ‘ex-centricity’ – attempting representations from different perspectives, from within specific contextual knowledge.

Comparative literature hence, helps in exploring a variety of discourses, ‘the discrete borders of nationality, culture, language, and such other categories – become porous or there be osmosis between the elements that appear separate to create a new compound, the synergy of which will surpass the sense of being merely the sum of all parts’, and the effort to find ‘affiliations’ between such texts, she said.

Elucidating next, on the reasons for the choice of the writers and their texts, she said that, it was ‘difference’ and ‘ex-centricity’ that were the prime reasons for choosing the texts – the similarity and differences between the writers, which on comparative study reveal ‘affiliations’ based on migration and cultural trauma.

Their different literary and cultural origins united under the theme of ‘migration’, and there is a possibility of exploring how migrant lives all over the world are interconnected.

She then proceeded to discuss the concepts of ‘Trauma and Migration’ as follows –

Discussions on migration interspersed with discussions on trauma

Both deal with loss of meaning and rewiring of identity

Interface mediated by memory

Lost identity cannot be reclaimed – only reconstructed

Study – migrant’s trauma process – journey to reconciliation

The Hypothesis

Migrant trauma is ‘created’ and can be resolved gradually through the trauma process.

The Titular term, ‘Creating’ is from Jeffrey Alexander’s Theory of Trauma. Trauma is a creation, like a story.

After outlining the metholodogy, she then proceeded to give the theoretical framework-

Contemporary Trauma Theory

Jeffrey Alexander’s theory of Social Trauma

Areas from Postcolonialism, Postmodernism, Logotherapy and Postmemory

Dr. Franklin Daniel, our vibrant Head of the Department, gave a very warm welcome address, following which, Dr. Ann Thomas, her Research Supervisor, introduced and welcomed the External Examiner Dr. Armstrong, Head, Dept of English, and Vice-Chancellor In-charge, University of Madras.

Dr. Armstrong then welcomed Ms. Pheba to give her defence.

It was a rewarding PhD Viva voce of sorts!

A day that saw our vibrant student Ms. Pheba Paul evolve so gracefully into her new avatar as Dr. Pheba Paul.

Congratulations Dr. Pheba! We are sooo proud of you.

So happy and proud to note that, her classmate Ms. Aparna Radhakrishnan, defended her PhD Thesis just two months ago, on 5th August 2025 at 10 am in the School of Letters, MG University, Kottayam. We are so proud of you Dr. Aparna Radhakrishnan – one of our bestest students ever!

Coincidentally, even for her Viva Voce, Dr. Armstrong was the External Examiner.

Let your light continue to shine, dispelling the darkness of ignorance, in whatever you do, in your lovely academic sojourn!

You may want to read Ms. Pheba’s lovely assignment on the topic, ‘Adventures as a Bibliophile’ on our past blogpost HERE, in 2017.

You may also want to look up yet another inspirational Viva Voce that happened in our Department, on 11th December 2008, on our past blogpost HERE.

Thursday, 9 October 2025

Cordially Inviting You... ❤️ Two-Day Conference on "TATTVAMALA Theatre and Textual Transformations" ❤️

Dnyanprassarak Mandal’s College and Research Centre (DMC)

GOA


TATTVAMALA

Theatre and Textual Transformations

via Aesthetics, Memory, Archives, Lore, and Adaptation

Department of English

A Two-Day National Level Seminar

30th & 31st January 2026

DMC invites Research papers that address any of the following tracks, encompassing various themes within each broad category.

Text ↔ Performance

Page-to-stage transformations and cut scripts

Embodied close reading: scoring the text on the body

Devising from oral histories and fieldwork

Spectator participation and interactive dramaturgies

Scenography-led writing and reverse dramaturgy

Archiving Memory

Cataloguing scripts, posters, promptbooks

Community oral-history labs with elders and troupes

Metadata, rights, and open-access standards

Museum–theatre collaborations and travelling exhibits

Digital & Hybrid Theatre

Live-stream dramaturgies and remote spectatorship

VR/AR scenography and motion capture

Digital archives in theatre

Revenue models: ticketing, paywalls, hybrid festivals

Konkani & Goan Theatre Spotlight

Tiatr historiography and contemporary inventions (music, satire, scenography)

Konkani playwriting across scripts and translation flows

Bilingual staging (Konkani/English/Marathi): audiences and reception

Archiving Goan theatre: scripts, recordings, oral histories, memorabilia

Urban, Rural, Coastal Theatres

Site-specific works: markets, forts, beaches, ferries

Mobile stages and rural touring circuits

City black-box ecologies and indie productions

Migration, labour, and housing on stage

Heritage walks + performance interventions

Community Theatre & Social Change

Public health, sanitation, and awareness plays

Climate/eco-theatre for villages and coasts

Legal literacy, RTI, and rights-based drama

Youth/SHG participatory projects and livelihoods

Submission Guidelines

Abstract - 250 to 300 words with 4 to 5 keywords

Length of the Research Paper - 3000 to 5000 words

Reference Style - MLA 9th Edition Abstracts to be sent to - tattvamala@gmail.com

Abstract Submission deadline - 15th December, 2025

Acceptance of Abstracts - 22nd December, 2025

Seminar Dates - 30th & 31st January, 2026 (Upon scrutiny and selection of abstracts, the registration form and payment details will be e-mailed to the selected delegates by 25th December 2025.)

Important Dates Faculty/Academicians: Rs. 2500 Research Scholars: Rs. 2000 Post Graduate

Students: Rs. 1000 Participation: Rs. 1000 Registration Fees Publication & Awards

Select papers will be published in a book with an ISBN number

THREE Best Paper Awards will be given to the best papers in the Post Graduate Students’ & Research Scholars Section Contact Details 9403960475 / 9823879363 / 9689382809 (Call/WhatsApp)

For more details, click on the link HERE

Tuesday, 7 October 2025

"This book can shape the perspective of the Indian Education System" ❤️

How to Do a Good Book Review

#inclasstoday | II BA English Class 

Today in the II BA English Class, we had a discussion on the essentials of a good book review.

To help the students remember the rubrics, I gave them a mnemonic to facilitate remembrance and recollection.

A – ‘Attention Grabber’ element about the book. (Was it the well-written blurb, or the vibrant cover design, or the opening lines…?)

B – Book Details viz., Author, Title, Publisher, etc.

C – Characterisation – Your favourite character (or a character you dislike), and what makes you love them or hate them, how the character’s personality evolves in the course of the story. Other characters whom you loved / unloved, etc.

D – Discuss the strengths and the shortcomings of the book.

E – Evidence from the text to authenticate for your claims.

F – Formulate your Final Verdict - Would you recommend this book to others? Would you read another book by this author? Who would be the preferred audience, etc, and then conclude it with a Star Rating or a Score.

Well, after discussing the rubrics, I then proceeded to give an open call to the class for anyone to come forward and do a review of a book they’ve read, using the above rubrics.

Aishwarya was the first one to volunteer. Eshal came next.

Over to Aishwarya –

Whenever I visit a book stall or a library, I would first search for Ruskin Bond’s books. One day, when I was at the airport, I came upon a good book stall there, and I was literally a bit adamant with my father to buy me this awesome set by Ruskin Bond that I spotted in the stacks. It’s titled, The Adventures of Rusty: Collected Stories - An omnibus edition containing many of his adventures.

When someone once asked Ruskin Bond, if Rusty represented his childhood days, Ruskin Bond replies, ‘Rusty is you’ - Suggesting that this inherent spirit isn’t unique to him or his creation, but is present in everyone.

It’s published by Penguin Books.

The book is semi-autobiographical, and the character Rusty is based on Bond’s own teenage years in Dehradun. The book is written in the first person (“I”) thus making the character an extension of the author, reflecting his personal perspectives and deep emotional insights.

The stories in the Rusty series cover the period of Rusty’s life from pre-adolescence to childhood to early teens. The book presents a genuine perspective of adolescence, exploring the emotional turmoil, loneliness, confusion, and deep yearning for independence, friendship, and love experienced by the protagonist, Rusty. 

He wanted to keep the book as child-like as possible, and so he makes mention of every little thing that he sees! Be it the crow, or the cart or the bird or the bee... you have it there!

He has practised the art of noting down even such innocuous details in his narration.

About the strengths of the book, I would say that, the book’s strength lies in its portrayal of real-life incidents in such a neutral and highly engaging perspective.

About the shortcomings, I would say that, since the book has been made into separate sections, the continuity is gone. It’s like a barricade for your curiosity.

But for that, personally to me, the book is perfect.

This book can shape the perspective of the Indian Education System.

On one interesting Textual Evidence from the text - 

Well, it is part of the book Rusty Runs Away, in which, Rusty, plans to run away from his strict boarding school, along with his friend Daljit. Their grand ambition is to travel the world by reaching a seaport and stowing away on a ship.

The two boys manage to sneak out of the school and begin their journey down the hills. They try various means of transport. In one part of their journey, they manage to hitch a ride on a truck. The boys are ultimately discovered by the truck driver and soon Rusty is promptly returned to Dehra.

Textual Quote -

Running away from school!

It is not to be recommended to everyone.

Parents and teachers would disapprove. Or would they, deep down in their hearts?

Everyone has wanted to run away, at some time in his life, if not from a bad school or an unhappy home, then from something equally unpleasant.

Running away seems to be in the best of traditions. Huck Finn did it. So did Master Copperfield and Oliver Twist. So did Kim...

Final Verdict: I strongly recommend this book for teens – not only to read, but also to study the book in order to witness first-hand the struggles, the conflicts and the crises that Rusty went through in his life.

Give your Rating: As for my rating, I would give the book an eight upon ten, and that’s because I haven’t completed the entire Rusty series,

said Aishwarya. 

Saturday, 4 October 2025

"In grade 12, I felt like I was a sink overflowing" 💜💜💜

rupi kaur

#onherbirthdaytoday

4th October 2025

bite-sized poetry | instapoetry | visual poetry | uncapitalised poetry | erotic poetry | raw poetry | unfiltered poetry | the kaur bubble | self-published author

Rupi Kaur’s poetic sensibility is wonder-amazing!

Writing in a highly minimalistic style, and presented in short, ‘bite-sized’ format, Kaur has created a unique Kaur-ish aesthetic through her poetry.

In fact, this Kaur-ish sensibility has commanded a broad audience for her poetry, across race, milieu and moment. [quoting from Hippolyte Taine here] 😊 

One prominent feature of her poetry is the ‘visual integration’ of pairing her poem with a complementary stark line drawing, drawn by herself, which adds to the aesthetic vibes.

Moreover, she is one of the few published poets who has gained tremendous fame and popularity by sharing her poetry and illustrations on platforms like Instagram and Tumblr, and amassing a huge online fan base, before going ahead with publishing her books.

Yet another striking feature of her poetry is the absence of uppercase letters and the use of only periods as punctuation marks.

Her poetry explores a range of themes – bordering on the personal to the universal, ranging from feminism, love and identity crisis, to heartbreak, trauma and healing!

Her raw and unfiltered approach to her themes, have made her a readers’ delight!

Susan Dalzell, in her book titled Poetry 101: From Shakespeare and Rupi Kaur to Iambic Pentameter and Blank Verse, Everything You Need to Know About Poetry, has some lovely lines on rupi kaur.

Here goes… from Poetry 101

RUPI KAUR (1992–PRESENT)

The Instapoet

Rupi Kaur is an artist and poet who came to fame through a very modern means: Instagram. As a teen, she began posting sketches, photographs, and poems on social media platforms.

She’s now published two bestselling books of poetry and amassed more than 2.6 million followers on Instagram, nearly 483,000 on Facebook and almost 200,000 on Twitter. As a poet, she’s attained a level of celebrity status usually granted to musicians or actors.

Kaur was born in Punjab, India, in 1992. When she was three, she emigrated with her Sikh parents to Ontario, Canada, where her father found work as a truck driver. She has three younger siblings.

As a kid, Kaur enjoyed writing and drawing, encouraged by her mother. In her teens, she began blogging and posting to Tumblr, publishing under her own name by 2013.

Instagram, however, proved to be the perfect match for her mix of art and poetry.

She grew a steady, if not overwhelming, following for the brief poems she published there, usually illustrated by one of Kaur’s doodle-like line drawings. 

Kaur was encouraged by her online audience to compile the poems into a book. Rather than try to go the route of a traditional publisher, Kaur decided to put the book together on her own.

Using Amazon’s CreateSpace, she self-published her first collection of poems and sketches, Milk and Honey, in 2014.

Her ascent to Internet celebrity was unrelated to her poetry.

In early 2015, as a student at the University of Waterloo, Kaur published an Instagram photograph of herself lying on a bed, wearing sweatpants with a stain from a menstrual blood leak. 

Kaur had had her sister take the image for her, as part of a class assignment on breaking taboos. Instagram removed the photo, prompting Kaur to accuse them – emphatically - on Tumblr and Facebook of misogyny. Her Facebook post went viral and Instagram responded by reposting the photograph.

The kerfuffle raised Kaur’s online profile significantly, and she became an Internet spokesperson for feminism.

As Kaur’s name ricocheted around the Internet, sales for milk and honey skyrocketed, attracting the attention of Andrews McMeel Publishing. 

They approached Kaur about reissuing the book. Since it was released in 2015, it has sold an unprecedented more than 2.5 million copies. 

Its success was startling, especially for a new poet: the book remained on The New York Times bestseller list for paperback trade fiction for nine weeks in a row.

Her second collection, the sun and her flowers, was published in October 2017. Its sales have also been strong: it ranked Number 1 on the Publishers Weekly trade paperback list for its first ten weeks.

That’s the fame piece. Now, what about the poetry?

Kaur’s poems are brief and to the point, sometimes only a sentence or two, perfect for framing within an Instagram square.

Her themes tend to revolve around her experiences as a young woman. She writes about relationships, heartbreaks, self-care, nature, friendships, and quite often, about female empowerment. 

The poems are emotional and heartfelt, which wins her both admirers and detractors.

Kaur eschews capitalization and all punctuation except periods. In some interviews, she has said the choice is a nod to her parents’ native language of Punjabi. It can be difficult to be a woman writing online. The medium is notorious as a venue for cruelty.

Parody poems of Kaur’s work abound, taking on lives of their own in mock Twitter and Instagram accounts. Her taunters take nearly any sentence, insert random breaks, and throw a “—Rupi Kaur” at the bottom, turning nonsense into “poetry.” An entire book of such poems, called Milk and Vine, has become a bestseller on Amazon.

Kaur’s poetry resonates with a large demographic who find she articulates feelings and emotions they have trouble articulating for themselves. 

Whether legions of those new readers will make the leap to discover other poets, or will remain firmly in the Kaur bubble, remains to be seen.

In yet another candid conversation with Young Poets Network, rupi kaur says –

In grade 12, I felt like I was a sink overflowing. And whenever someone asked me, what’s wrong, what’s going on, I would say I don’t know. I don’t know was my response to everything. I wanted to figure that out and fill it with something very specific.

Growing up, I was shy; coming from a strict Indian family, I wasn’t allowed to wear certain clothes and so on. 

But in the first week of grade 12 I got out of an abusive relationship and did something totally out of my character: I went to this poetry slam. I don’t know why I went there – I was just excited to explore all the stuff I wasn’t allowed to because of this terrible relationship.

So I wrote this poem for performance, and I was hooked. That was the first moment in my life when I remember people listening and paying attention to me. 

Hearing my voice in that microphone and seeing 25 people listen to it – it was life-changing.

Eventually my friends started to say, maybe more people should hear that poem than the 100 people in that room. 

I was writing a lot about the violence that brown women feel, specifically Punjabi women in my community, and they said, you know, they live all over the world. So I started posting poems on blogs, videos, social media, and over time, it became more refined.

I think my first Instagram post was in 2013. I didn’t even like Instagram at the time, but this guy I was dating kept telling me to get it to share my paintings and artwork, and I kept saying no. 

He ended up cheating on me, and to get back at him I made an Instagram and began sharing my paintings, illustrations and cute photos of myself. Then I asked my friend one day at university, should I post this poem online?

She said yes, so I did.

At the time I had around 100 followers, but suddenly these women from all over the world, of all different ages, started to gather in my comments section and talk about the things they weren’t comfortable talking about at the dinner table.

It was pretty remarkable, so I just kept sharing. I didn’t mean for it to go anywhere – I was in school, focusing on getting my degree and becoming a lawyer, and travelling on the weekends to perform my poetry.

But I had to write the poems to help myself, and I think that’s the only reason they’ve connected with people.

I ended up self-publishing milk and honey because my creative writing professor told me there was no market for poetry. I felt like I had a body of work that needed to be read cover to cover. And I got rejected of course – everyone gets rejected.

So I decided to self-publish, even though my professor told me not to because I would be surpassing ‘the gate-keepers’ and people wouldn’t like that. I was like, I don’t even know who these people are! I’m just a broke college student and I’ll never interact with them, so I just did it.

There’s a poet named Lang Leav and I was reading about how she had self-published and was later picked up by a publisher – that inspired me. 

I learned that Amazon’s CreateSpace was completely free, so I sat for a week in my house with my girlfriends and learned Adobe InDesign through YouTube. I made a lot of mistakes. I had to restart and reformat that 200-page file at least three times. But I didn’t have any other choice,

says rupi kaur. 

Here’s wishing rupi kaur a very happy birthday. 💜 May her tribe increase! 😊

Picture and Interview Courtesy: ypndotpoetrysociety.orgdotuk

Book Citation: Susan Dalzell’s Poetry 101: From Shakespeare and Rupi Kaur to Iambic Pentameter and Blank Verse, Everything You Need to Know About Poetry, 2018.