Tuesday, 7 October 2025

"This book can shape the perspective of the Indian Education System" ❤️

How to Do a Good Book Review

#inclasstoday | II BA English Class 

Today in the II BA English Class, we had a discussion on the essentials of a good book review.

To help the students remember the rubrics, I gave them a mnemonic to facilitate remembrance and recollection.

A – ‘Attention Grabber’ element about the book. (Was it the well-written blurb, or the vibrant cover design, or the opening lines…?)

B – Book Details viz., Author, Title, Publisher, etc.

C – Characterisation – Your favourite character (or a character you dislike), and what makes you love them or hate them, how the character’s personality evolves in the course of the story. Other characters whom you loved / unloved, etc.

D – Discuss the strengths and the shortcomings of the book.

E – Evidence from the text to authenticate for your claims.

F – Formulate your Final Verdict - Would you recommend this book to others? Would you read another book by this author? Who would be the preferred audience, etc, and then conclude it with a Star Rating or a Score.

Well, after discussing the rubrics, I then proceeded to give an open call to the class for anyone to come forward and do a review of a book they’ve read, using the above rubrics.

Aishwarya was the first one to volunteer. Eshal came next.

Over to Aishwarya –

Whenever I visit a book stall or a library, I would first search for Ruskin Bond’s books. One day, when I was at the airport, I came upon a good book stall there, and I was literally a bit adamant with my father to buy me this awesome set by Ruskin Bond that I spotted in the stacks. It’s titled, The Adventures of Rusty: Collected Stories - An omnibus edition containing many of his adventures.

When someone once asked Ruskin Bond, if Rusty represented his childhood days, Ruskin Bond replies, ‘Rusty is you’ - Suggesting that this inherent spirit isn’t unique to him or his creation, but is present in everyone.

It’s published by Penguin Books.

The book is semi-autobiographical, and the character Rusty is based on Bond’s own teenage years in Dehradun. The book is written in the first person (“I”) thus making the character an extension of the author, reflecting his personal perspectives and deep emotional insights.

The stories in the Rusty series cover the period of Rusty’s life from pre-adolescence to childhood to early teens. The book presents a genuine perspective of adolescence, exploring the emotional turmoil, loneliness, confusion, and deep yearning for independence, friendship, and love experienced by the protagonist, Rusty. 

He wanted to keep the book as child-like as possible, and so he makes mention of every little thing that he sees! Be it the crow, or the cart or the bird or the bee... you have it there!

He has practised the art of noting down even such innocuous details in his narration.

About the strengths of the book, I would say that, the book’s strength lies in its portrayal of real-life incidents in such a neutral and highly engaging perspective.

About the shortcomings, I would say that, since the book has been made into separate sections, the continuity is gone. It’s like a barricade for your curiosity.

But for that, personally to me, the book is perfect.

This book can shape the perspective of the Indian Education System.

On one interesting Textual Evidence from the text - 

Well, it is part of the book Rusty Runs Away, in which, Rusty, plans to run away from his strict boarding school, along with his friend Daljit. Their grand ambition is to travel the world by reaching a seaport and stowing away on a ship.

The two boys manage to sneak out of the school and begin their journey down the hills. They try various means of transport. In one part of their journey, they manage to hitch a ride on a truck. The boys are ultimately discovered by the truck driver and soon Rusty is promptly returned to Dehra.

Textual Quote -

Running away from school!

It is not to be recommended to everyone.

Parents and teachers would disapprove. Or would they, deep down in their hearts?

Everyone has wanted to run away, at some time in his life, if not from a bad school or an unhappy home, then from something equally unpleasant.

Running away seems to be in the best of traditions. Huck Finn did it. So did Master Copperfield and Oliver Twist. So did Kim...

Final Verdict: I strongly recommend this book for teens – not only to read, but also to study the book in order to witness first-hand the struggles, the conflicts and the crises that Rusty went through in his life.

Give your Rating: As for my rating, I would give the book an eight upon ten, and that’s because I haven’t completed the entire Rusty series,

said Aishwarya. 

Saturday, 4 October 2025

"In grade 12, I felt like I was a sink overflowing" 💜💜💜

rupi kaur

#onherbirthdaytoday

4th October 2025

bite-sized poetry | instapoetry | visual poetry | uncapitalised poetry | erotic poetry | raw poetry | unfiltered poetry | the kaur bubble | self-published author

Rupi Kaur’s poetic sensibility is wonder-amazing!

Writing in a highly minimalistic style, and presented in short, ‘bite-sized’ format, Kaur has created a unique Kaur-ish aesthetic through her poetry.

In fact, this Kaur-ish sensibility has commanded a broad audience for her poetry, across race, milieu and moment. [quoting from Hippolyte Taine here] 😊 

One prominent feature of her poetry is the ‘visual integration’ of pairing her poem with a complementary stark line drawing, drawn by herself, which adds to the aesthetic vibes.

Moreover, she is one of the few published poets who has gained tremendous fame and popularity by sharing her poetry and illustrations on platforms like Instagram and Tumblr, and amassing a huge online fan base, before going ahead with publishing her books.

Yet another striking feature of her poetry is the absence of uppercase letters and the use of only periods as punctuation marks.

Her poetry explores a range of themes – bordering on the personal to the universal, ranging from feminism, love and identity crisis, to heartbreak, trauma and healing!

Her raw and unfiltered approach to her themes, have made her a readers’ delight!

Susan Dalzell, in her book titled Poetry 101: From Shakespeare and Rupi Kaur to Iambic Pentameter and Blank Verse, Everything You Need to Know About Poetry, has some lovely lines on rupi kaur.

Here goes… from Poetry 101

RUPI KAUR (1992–PRESENT)

The Instapoet

Rupi Kaur is an artist and poet who came to fame through a very modern means: Instagram. As a teen, she began posting sketches, photographs, and poems on social media platforms.

She’s now published two bestselling books of poetry and amassed more than 2.6 million followers on Instagram, nearly 483,000 on Facebook and almost 200,000 on Twitter. As a poet, she’s attained a level of celebrity status usually granted to musicians or actors.

Kaur was born in Punjab, India, in 1992. When she was three, she emigrated with her Sikh parents to Ontario, Canada, where her father found work as a truck driver. She has three younger siblings.

As a kid, Kaur enjoyed writing and drawing, encouraged by her mother. In her teens, she began blogging and posting to Tumblr, publishing under her own name by 2013.

Instagram, however, proved to be the perfect match for her mix of art and poetry.

She grew a steady, if not overwhelming, following for the brief poems she published there, usually illustrated by one of Kaur’s doodle-like line drawings. 

Kaur was encouraged by her online audience to compile the poems into a book. Rather than try to go the route of a traditional publisher, Kaur decided to put the book together on her own.

Using Amazon’s CreateSpace, she self-published her first collection of poems and sketches, Milk and Honey, in 2014.

Her ascent to Internet celebrity was unrelated to her poetry.

In early 2015, as a student at the University of Waterloo, Kaur published an Instagram photograph of herself lying on a bed, wearing sweatpants with a stain from a menstrual blood leak. 

Kaur had had her sister take the image for her, as part of a class assignment on breaking taboos. Instagram removed the photo, prompting Kaur to accuse them – emphatically - on Tumblr and Facebook of misogyny. Her Facebook post went viral and Instagram responded by reposting the photograph.

The kerfuffle raised Kaur’s online profile significantly, and she became an Internet spokesperson for feminism.

As Kaur’s name ricocheted around the Internet, sales for milk and honey skyrocketed, attracting the attention of Andrews McMeel Publishing. 

They approached Kaur about reissuing the book. Since it was released in 2015, it has sold an unprecedented more than 2.5 million copies. 

Its success was startling, especially for a new poet: the book remained on The New York Times bestseller list for paperback trade fiction for nine weeks in a row.

Her second collection, the sun and her flowers, was published in October 2017. Its sales have also been strong: it ranked Number 1 on the Publishers Weekly trade paperback list for its first ten weeks.

That’s the fame piece. Now, what about the poetry?

Kaur’s poems are brief and to the point, sometimes only a sentence or two, perfect for framing within an Instagram square.

Her themes tend to revolve around her experiences as a young woman. She writes about relationships, heartbreaks, self-care, nature, friendships, and quite often, about female empowerment. 

The poems are emotional and heartfelt, which wins her both admirers and detractors.

Kaur eschews capitalization and all punctuation except periods. In some interviews, she has said the choice is a nod to her parents’ native language of Punjabi. It can be difficult to be a woman writing online. The medium is notorious as a venue for cruelty.

Parody poems of Kaur’s work abound, taking on lives of their own in mock Twitter and Instagram accounts. Her taunters take nearly any sentence, insert random breaks, and throw a “—Rupi Kaur” at the bottom, turning nonsense into “poetry.” An entire book of such poems, called Milk and Vine, has become a bestseller on Amazon.

Kaur’s poetry resonates with a large demographic who find she articulates feelings and emotions they have trouble articulating for themselves. 

Whether legions of those new readers will make the leap to discover other poets, or will remain firmly in the Kaur bubble, remains to be seen.

In yet another candid conversation with Young Poets Network, rupi kaur says –

In grade 12, I felt like I was a sink overflowing. And whenever someone asked me, what’s wrong, what’s going on, I would say I don’t know. I don’t know was my response to everything. I wanted to figure that out and fill it with something very specific.

Growing up, I was shy; coming from a strict Indian family, I wasn’t allowed to wear certain clothes and so on. 

But in the first week of grade 12 I got out of an abusive relationship and did something totally out of my character: I went to this poetry slam. I don’t know why I went there – I was just excited to explore all the stuff I wasn’t allowed to because of this terrible relationship.

So I wrote this poem for performance, and I was hooked. That was the first moment in my life when I remember people listening and paying attention to me. 

Hearing my voice in that microphone and seeing 25 people listen to it – it was life-changing.

Eventually my friends started to say, maybe more people should hear that poem than the 100 people in that room. 

I was writing a lot about the violence that brown women feel, specifically Punjabi women in my community, and they said, you know, they live all over the world. So I started posting poems on blogs, videos, social media, and over time, it became more refined.

I think my first Instagram post was in 2013. I didn’t even like Instagram at the time, but this guy I was dating kept telling me to get it to share my paintings and artwork, and I kept saying no. 

He ended up cheating on me, and to get back at him I made an Instagram and began sharing my paintings, illustrations and cute photos of myself. Then I asked my friend one day at university, should I post this poem online?

She said yes, so I did.

At the time I had around 100 followers, but suddenly these women from all over the world, of all different ages, started to gather in my comments section and talk about the things they weren’t comfortable talking about at the dinner table.

It was pretty remarkable, so I just kept sharing. I didn’t mean for it to go anywhere – I was in school, focusing on getting my degree and becoming a lawyer, and travelling on the weekends to perform my poetry.

But I had to write the poems to help myself, and I think that’s the only reason they’ve connected with people.

I ended up self-publishing milk and honey because my creative writing professor told me there was no market for poetry. I felt like I had a body of work that needed to be read cover to cover. And I got rejected of course – everyone gets rejected.

So I decided to self-publish, even though my professor told me not to because I would be surpassing ‘the gate-keepers’ and people wouldn’t like that. I was like, I don’t even know who these people are! I’m just a broke college student and I’ll never interact with them, so I just did it.

There’s a poet named Lang Leav and I was reading about how she had self-published and was later picked up by a publisher – that inspired me. 

I learned that Amazon’s CreateSpace was completely free, so I sat for a week in my house with my girlfriends and learned Adobe InDesign through YouTube. I made a lot of mistakes. I had to restart and reformat that 200-page file at least three times. But I didn’t have any other choice,

says rupi kaur. 

Here’s wishing rupi kaur a very happy birthday. 💜 May her tribe increase! 😊

Picture and Interview Courtesy: ypndotpoetrysociety.orgdotuk

Book Citation: Susan Dalzell’s Poetry 101: From Shakespeare and Rupi Kaur to Iambic Pentameter and Blank Verse, Everything You Need to Know About Poetry, 2018.

Who on earth, taught them these social skills? ❤️❤️❤️

Celebrating Our Animal Friends

On World Animal Day Today

4th October 2025

Well, this post assumes significance for four reasons.

The first one is, to pay a tribute to Jane Goodall, [who passed away, aged 91 years, on 1st October 2025] whose dwelling with the chimpanzees at the Gombe Stream National Park, on the eastern shore of Lake Tanganyika in western Tanzania for 26 long years, changed the world’s understanding of animals.

Miriam Schlein’s book titled, Jane Goodall’s Animal World: Gorillas, albeit endorsed and branded by Jane Goodall herself, is an eye-opener series designed to reflect Jane Goodall’s thoughts on animal welfare and animal rights. The book is meant to teach young readers about animals by focusing on their daily lives, behaviour, and environment, thus aligning with Goodall’s own method of immersive education and empathetic observation.

[Miriam Schlein wrote nearly 100 books for children over five decades. She was known for her ability to teach young readers about animals in a highly engaging manner]

Reproducing Jane Goodall’s impactful introduction to the book –

I have lived in Africa for thirty years. I have spent hours and hours watching chimpanzees and baboons and all manner of monkeys. But I have not yet seen a wild gorilla, the largest living primate on earth.

When I was a child and dreamed of Africa and its forests, I often imagined meeting a group of gorillas. In those days we all thought that they were ferocious creatures who would charge on sight and tear you limb from limb. How wrong we were!

It is true that male gorillas may attack humans - but only in defense of their families. On those occasions, they show great courage and often lose their lives as a result.

Today there are not many mountain gorillas left, but many people are working to save those that remain. The lowland gorillas need our help too, especially in countries where the poaching is very bad indeed.

Let me tell you one last story. It happened at a zoo in England. A little boy, about three years old, fell into the moat around the gorilla enclosure.

The big silverback male hurried down to the child, who was unconscious. Everyone thought that this was the end of him. But the huge gorilla picked up the little boy and held him gently, keeping the other curious gorillas away, and then handed him over to his trusted keeper.

Unfortunately, it is we humans who can be the ferocious, destructive primates, not gorillas,

signs off Jane.

On an added note, I well remember, how, almost 18 years ago, we had the blessed privilege of meeting and interacting with the legendary Jane Goodall in-person, on 22nd January 2007 at the British Council, Chennai.

On that occasion, she had made a profound statement -

“Every problem is being tackled by a person or a group of dedicated passionate people who are prepared to risk their life or lose their life for the purpose. That’s the reason for hope in this planet.”

[I had taken three of my best students – Murali, Solomon and Micosteen with me to this inspirational event. To our sweet surprise, we were delighted to meet with Dr. Nirmal Selvamony, Prof. Cherian Kurian and Mr. Rayson Alex ahead of us, at the event venue, all geared up and excited to listen to the legend!] 😊

The second one is, to commemorate World Animal Day today.

A day that seeks to remind us of the importance of animal rights, highlighting the numerous threats animals face, such as poaching, habitat loss, and cruelty in various forms.

A Day that also encourages all of us, as planetariats, to improve the lives of animals, whether they are pets, farm animals, or wildlife.

Indeed, one main objective of World Animal Day is to acknowledge that animals are sentient beings with their unique thoughts, feelings, and personalities.

Even doctoral dissertations bordering on Animal Ethics and Animal Rights are few and far between.

In this regard, I would like to make special mention of the PhD Dissertation work of Ms. Adarsa, A. K, who did her PhD dissertation on Animal Ethics, under the supervision of Dr. Lasitha, B. V, Kannur University, Kerala.

As her External Examiner, I was so happy to read through her dissertation, and in a long time, I had marked it as ‘Highly Commended’, for her insightful reading of the fiction of Coetzee and Atwood through the framework of Critical Animal Studies.

Moreover, on this special occasion, I would like to cite from a book titled, The Inner Life of Animals, and subtitled, Love, Grief, and Compassion: Surprising Observations of a Hidden World, published in the year 2017.

This book is Jane Goodall-ian in its scope, even as Wohlleben, a German forester, writes about his decades of personal, first-hand observations of animals in the wild and on his own estate in such an engaging and spontaneous style of writing.

The book directly confronts the long-held belief that only humans possess complex emotions and a rich inner world.

Wohlleben argues that animals are not simply driven by instinct but are capable of experiencing love, grief, compassion, shame, empathy, and even self-awareness. 

Finally, the book gives a clarion call for animal sentience and for readers to re-evaluate their relationship with the natural world, thereby encouraging a deeper sense of empathy and compassion for all animals.

One particular line from the book really arrested my attention bigtime. Here goes –

Communication between people and animals will always be very one-sided. People try to teach other species human language.

The species is then thought to be particularly intelligent when its members understand a lot of concepts or commands, and perhaps can even utter a few intelligible words.

People are thrilled when budgerigars, ravens, or apes like Koko can answer a question in our language. If we really are the most intelligent species on Earth - and I believe we are - why didn’t science approach this from the other direction a long time ago?

Why are years spent painstakingly teaching lab animals sign language if modern researchers believe that their capacity to learn is less than ours?

Wouldn’t it be much easier if we finally began to learn the language of animals?

he asks. A real though-provoking question indeed!

Third, is about two memorable photos that I had taken yesterday, as part of our Nature Trail deep into the forests.

One is a snapshot of a swoop of storks up above in the sky, that I tried my best to get a good pic! And to an extend I hope I did!

These storks are high-renowned for their graceful and seemingly effortless flight, which I found so awesome and wonder-amazing to the core!

One thing I noticed about their flight is that, we can usually spot them travelling vast distances without flapping even a single wingbeat, unlike many other birds that flap their wings each and every jiffy of their flight!😊

Yet another social behaviour that I sensed during the course of their flight is that, the the younger, less experienced birds faithfully follow from behind, the skilled “leader” birds. And the style of their flight is also so unique – they stretch their necks forward and their long legs trail behind them.

I mean, who on earth, taught them these social skills? Without any kind of arduous drills, intense rehearsals or strenuous practice routines, the birds here were on their glide, in such a graceful manner!

It is said that, in many cultures, storks symbolize faithfulness, loyalty and familial devotion. The Hebrew word for stork, ‘chasidah,’ means ‘faithful one’.

The storks are known for their strong sense of bonding, and for their dedicated parenting. Both parents share the duties of incubating eggs and feeding their young – a social behaviour that has resulted in a lot of inspirational stories throughout history.

The ancient Greeks and Romans had a great admiration for this strong social bonding and familial bonding witnessed in the storks so much that they created laws encouraging citizens to care for their aging parents, inspired by the storks!

Wise lessons we need to learn from our animal friends, indeed.

Fourthly and finally, yet another photograph that I had taken today, of a mother cow and her cute little calf.

The calf was nudging his mother all through their walk to the grazing ground. Tens of cows were on their way to the grazing field, but this little calf refused to allow his mom to walk! 😊

My friend, a Naturalist, tells me that, oxytocin, nick-named the “bonding hormone” plays a central role in this process of the cow-calf bonding.

Also, the calf learns a lot of vital social behaviour by observing and interacting with its mother in close quarters like this one!

Through this bonding, the cow teaches her calf about herd dynamics, and this maternal guidance is essential for the calf’s ability to integrate into the social structure of the herd, it seems.

There’s lots to learn from our animal friends, on this, our shared habitat!

On an aside, the IUCN Red List categorizes species into different groups based on their risk of extinction. The “threatened” species include =

Reef-building corals: 44%

Amphibians: 41%

Trees: 38%

Sharks and rays: 37%

Conifers: 34%

Mammals: 26%

Freshwater fish: 26%

Birds: 12%

By combining conscious individual efforts with larger-scale, systemic change, we can sure make a significant difference in the fight to protect the world’s threatened species.

And here’s wishing you all a Happy World Animal Day, folks!