‘Anatomy’ in Literature
Have you ever
wondered about
this curious streak of having an oxymoronic terminology, incorporating the ‘scientific’
to the ‘literary’?
Well, we do have
good examples
that vouch to this fusion, in the renowned Russian physician and short story
writer Anton Chekov, whose famous lines -
"Medicine is
my lawful wife and
literature my mistress; when I get tired of one, I spend the night with the
other,”
speaks volumes to a physician’s love for literature.
Now let’s hack the difference in usage between these
two terms!
Anatomy in
medicine
would denote the science dealing with the form and structure of living
organisms.
Whereas
Anatomy, in
literature,
would mean the dividing of a topic into parts for detailed examination or
analysis.
A few examples of ‘Anatomy’ in Literature
Lyly’s Euphues,
the Anatomy of Wit - 1578
Euphues, the
Anatomy of Wit
(1578), marked the beginning of John Lyly’s literary career, made him a
best-selling author, and afforded him a reputation as one of the most prominent
prose writers of the era.
It is perhaps
more accurately
remembered for its inflated language known as euphuism, a highly artificial style
adopted from Latin prose and never before attempted in English.
From the books’
title and character name, Euphues, Lyly’s adversary Gabriel Harvey coined the term
euphuism. This new word was and has been a term of great disapproval or even
disgust for most of the four hundred years of its existence. In 1887 critic George
Saintsbury characterized it as ‘‘eccentric and tasteless.’’ In 1890 critic J.
J. Jusserand called Lyly’s style ‘‘immoderate, prodigious, monstrous.’’ Much
later, C. S. Lewis described Euphues as a ‘‘monstrosity’’ and a ‘‘fatal success.’’
Euphuism — The
writing was highly technical,
with a set structure the author popularized to the point of influencing
Shakespeare.
Lyly was known
for his playful
comedies that showed off the linguistic cleverness of his characters. Here are
a few works by other writers that also mix comedy with clever language:
As You Like It (1599–1600), a play by William
Shakespeare. In this pastoral comedy, double (or even triple) disguises make
way for gender reversals and several humorous misconceptions and mishaps.
If on a Winter’s
Night a Traveler
(1981), a novel by Italo Calvino. This novel is a comedy, a tragedy, and a thoughtful
and thought-provoking experience.
The Importance of
Being Earnest
(1895), a play by Oscar Wilde. In this comedy of manners, the dialogue is
bristling with irony, sarcasm, and social puns.
Burton’s Anatomy
of Melancholy - 1621
Anatomy of
Melancholy:
Robert Burton 1621: It explores a dizzying assortment of mental afflictions, including
what might now be called depression. Burton considers melancholy to be an
‘inbred malady’ in all of us and admits that he is ‘not a little offended’ by
it himself. In short, The Anatomy of Melancholy uses melancholy as the lens
through which all human emotion and thought may be scrutinized.
Beauvoir’s The Second
Sex
and female Anatomy - 1949
When The Second
Sex appeared in 1949, reactions ranged from the horrified gasps of
conservative readers to the impassioned gratitude of millions of women who had never
before encountered such a frank discussion of their condition. Reactions to the
sections discussing the female anatomy and homosexuality were especially
hostile.
Frye’s Anatomy
of Criticism - 1957
Anatomy of
Criticism
(1957), a survey of the field by Northrop Frye. In this book, the critic
reviews the principles and techniques of literary criticism.
In four brilliant essays on historical, ethical,
archetypical, and rhetorical criticism, employing examples of world literature
from ancient times to the present, Frye reconceived literary criticism as a
total history rather than a linear progression through time.
Literature, Frye wrote, is "the place where our
imaginations find the ideal that they try to pass on to belief and action,
where they find the vision which is the source of both the dignity and the joy
of life." And the critical study of literature provides a basic way
"to produce, out of the society we have to live in, a vision of the
society we want to live in."
Harold Bloom contributes a fascinating and highly
personal preface that examines Frye's mode of criticism and thought (as opposed
to Frye's criticism itself) as being indispensable in the modern literary
world.
The four essays in Anatomy of Criticism are -
"Historical Criticism: A Theory of Modes",
"Ethical Criticism: a Theory of Symbols",
"Archetypal Criticism: A Theory of myths",
and
"Rhetorical Criticism: A Theory of Genres."
Durrell’s Reflections
– An Anatomy of Islomania - 1957
Love of Islands and ‘Anatomy of islomania’: [Islomania –
love of Islands]
In Reflections,
(1957) Durrell classified his love of islands as ‘‘Islomania’’ and says that,
‘‘This book is by intention a sort of “anatomy of islomania,” with all its formal
defects of inconsequence and hapelessness.’’
Boulton’s The
Anatomy of Literary Studies - 1980
First published in 1980, The Anatomy of Literary Studies provides students of English
Literature with a clearer understanding of the significance and scope of the
subject and a comprehensive background to its study. It gives pointers towards
intellectual integrity and advice on independent study, libraries, essay
writing and examinations.
Bloom’s The
Anatomy of Influence - Literature as a Way of Life - 2011
At the age of 80,
with almost 40 books
behind him and nearly as many accumulated honors, Harold Bloom has written, in
“The Anatomy of Influence,” a kind of summing-up — or, as he puts it in his
distinctive idiom, mixing irony with histrionism, “my virtual swan song,” born of his urge “to say in one place most
of what I have learned to think about how influence works in imaginative literature.”
References
Gale’s Contextual Literary Encyclopedia
The New York Times
The British Library, UK [bl.uk]
Princeton.Edu
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