And so has Hazel Smith!
And so has Patti Smith!
And so has Umberto Eco!
And so has Stephen King’s wondrous
book On Writing, born out of decades
of trial and error on the field, from which he gives budding writers his TOP 20
Rules for Writers.
Yet! Yet! Yet! Zadie Smith stands out tall’est
from amongst ‘em all! and how!
Thanks to a brilliant lead by Dr.
Aparna Srinivas on Zadie Smith, which gave me an impulsive inspiration of
sorts!
This feature takes for its point of
departure, from off Zadie Smith’s insights. I have divided the feature into
three parts, basing ‘em all exclusively on Zadie’s impactful observations.
Well, here goes…
Zadie
Smith on Massive Cultural Currents: “We forget that our
particular moment, with all its tribulations and triumphs, is not neatly
islanded in the river of time but swept afloat by massive cultural currents
that have raged long before it and will rage long after.”
Well, John Corner’s observations merit a citation here. To him, this
cultural current is “energetic & dynamic” and something that’s always on
the flow – on the move! It never ain’t static! Says he: “In any period of human
history a culture and society are partly sustained by the tension between that
which is thought to be of value, inherited from the past, and that which is the
product of energetic, dynamic, and deliberate innovation.”
Honore
de Balzac too merits a retell here: And well, he
wanted to be called the ‘Secretary of his Age,’ and his realist novels and
plays have intensely focused on the milieu of French society after the fall of
Napoleon Bonaparte!
His masterpiece La Comedie humaine (1842–1850), a multivolume work involving about
one hundred interwoven novels and stories, has had a tremendous influence on
big names in the publishing industry - like Marcel Proust, Charles Dickens, and
Henry James!
Balzac’s The Girl with Golden Eyes is a fine piece of craftsmanship that
attests to this aura of the cultural currents within its texture.
Again, to Hippolyte Taine, as with Zadie Smith, “Literature, did not come out
of the air. It was conditioned by three earthy elements: race, milieu, moment.”
Sutherland adds to say, “English,
however, has no exact equivalent term for milieu. It means, loosely,
“socio-literary context.” In other words, ‘cultural currents’ that define an
age!
Scott
Fitzgerald has invented a wonderful term - “the Jazz
Age” – to sum up the cultural currents from which The Great Gadsby emerged!
Interestingly, Zadie Smith’s ‘cultural
currents’ also find resonance in Gertrude
Stein’s wonderful coinage – the “Lost Generation” – a term which was popularized
much by Ernest Hemingway!
Well, apart from the ‘cultural
currents’ that define the milieu of a particular epoch, there are also cross-currents
or crosscultural currents, or cultural undercurrents that also go a long way in
informing and impacting the text of a particular epoch.
The Harlem Renaissance is a case in
point. It was indeed a huge cross-cultural current that impacted African American artists to assert pride
over their African heritage. Harlem subsequently became
the Mecca for most inspirational African Americans.
Badal
Sircar’s concept of the pioneering Third Theatre in
the Indian scenario is another noteworthy example. It was, by all means, a
‘cross-cultural undercurrent’ aka ‘antiestablishment,’ that swept through the
whole of the theatrical domains in the heart of India.
This Zadie Smithian quote also lends
itself admirably to the now proverbial Montrosian
quote, that New Historicism deals with the “textuality of history and the
historicity of texts,” wherein the text is studied against the backdrop of its
milieu – the cultural currents, crosscultural currents and cultural
undercurrents that make up the ‘specifics’ of a text.
Indeed, new realities come out by the
dozen, by resituating the text in its context, and how apt of it, we feel, when
the Tennysonian ‘Ulysses’ rightfully
observes, “I am a part of all that I’ve met!”
The social milieu in which Naipaul sets his novel A House for Mr. Biswas is glorious
testimony to Zadie’s blessed chant, what with his insightful observations on the
immigrant community on the island of Trinidad! And the list goes on! [Now that
I’ve cited Naipaul, Prof. Rasheeda Madani will be a blissfully contended
person, I bet!] J
Yes! as John Sutherland vouches himself, “Milieu roots literature in the
soil from which it grows!”
To be contd…
Next: Part II in the Series: Zadie Smith on Critical Thinking and Hope
image 1: howjamaicaconqueredtheworlddotcom
image 2: kimhooperwritesdotcom
image 1: howjamaicaconqueredtheworlddotcom
image 2: kimhooperwritesdotcom
No comments:
Post a Comment